2 pp.

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Showing 1–16 of 173 results

  • 2nd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50
  • Fantasie BWV 572 3rd Section

    Recorder part, 2 pp.
    $0.50
  • 1st Mvmt.

    Originally in g minor, transposed here to d. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. Note the alternative version in c; this one in d is a little easier. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie ?Truly, Madly, Deeply.?

    Recorder part, 2 pp.
    $0.50
  • WTC Bk 1 Prelude No. 2 Duet

    2 pp.
    $0.50
  • Fugue

    Originally in C# major, transposed here to F.

    Recorder & Keyboard part, 2 pp.
    $2.00
  • Fantasia

    Originally in g minor, transposed here to d. Contains a high A and some high F#’s that are not too difficult for intrepid recorder players. And some of these and other high passages are given with lower options.

    Recorder part, 2 pp.
    $0.50
  • 1st Mvmt.

    In original key of C major. There is a choice of register on the three occasions where the opening theme occurs.

    Recorder part, 2 pp.
    $0.50
  • GymnopĂ©die No. 3

    There is no separate recorder part, since both players can usually read from the same score. (If this is unworkable, another score must be printed out.) Originally for piano solo. This arrangement at original pitch. The 1st and 3rd Gymnop?dies call for tenor recorder, the 2nd for alto. Since the guitar part of the 2nd is more difficult than the others, Nos. 1 and 3 may be performed alone, or rather perhaps in the order of the famous Debussy arrangement for orchestra, 3 followed by 1.

    2 pp.
    $0.50
  • Easier version in original key of G major with switch to recorder in C

    2 pp.
    $0.50
  • 1st Mvmt.

    Originally in C major, transposed here to F. Keyboard part has very good page-turns.

    Recorder part, 2 pp.
    $0.50
  • Contrapunctus 13 Inversus

    Originally in d minor, transposed here to g. The dotted eighth-16th note rhythm should be assimilated to the prevailing triplets (i. e. the 16th should co?ncide with the 3rd eighth of the triplet). But the occasional groups of two or four 16ths should be as written. Contains 2 optional high A’s, either of which may be smoothly avoided.

    Recorder part, 2 pp.
    $0.50
  • Fugue

    Originally in a minor, transposed here to d.

    Recorder part, 2 pp.
    $0.50
  • 3rd Mvmt., Presto

    Originally in G major, transposed here to F.

    2 pp.
    $0.50
  • 3rd Mvmt.

    Originally in F major, transposed here to C. Optional low bass tones in keyboard part are given in small notes.

    Recorder part, 2 pp.
    $0.50
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