2+1 pp.

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Showing 17–32 of 42 results

  • 2-part Invention No. 13, BWV 784

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Trio from Brandenburg Concerto No. 1 BWV 1046 arr. for tenor or soprano recorder & keyboard

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Sarabande from Partita No. 1, BWV 825

    Originally in Bb major, transposed here to F.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Gnossienne No. 2

    Written in 1890 for piano solo. At original pitch here.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 2-part Invention No. 14, BWV 785

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Eight tunes from *The Bird Fancyer’s Delight*, arr. for soprano recorder & keyboard

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Menuet I & II from Partita No. 1 BWV 825

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Gnossienne No. 3

    Written in 1890 for piano solo. At original pitch here.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 2-part Invention No. 4, BWV 775

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 4EnglishCountryDances4SopAndKbd

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Gavotte I & II from English Suite No. 3, BWV 808

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Trio from Brandenburg Concerto No. 1 BWV 1046

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 4. Sarabande

    Originally in a minor, transposed here to d. Includes an introductory commentary.

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 3-part Invention No. 14, BWV 800

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • 2nd Mvmt.

    Originally in g minor, transposed here to c. This arrangement has a precedent of sorts by Bach himself, in that Sonata No. 1 for Gamba, BWV 1027 seems to have originated as BWV 1039, a trio sonata for two flutes. Thus, the convertibility of music in different octaves and for different timbres (as well the number of instruments deployed) is clearly established in the repertory, even without reference to all the firm evidence we have about Baroque performance practice. In the first movement, some of the hardest passages for the recorder part are eliminated, or rather given to the keyboard player, simply by switching places between the original gamba part and the right hand of the keyboard part. Of course, the fact that these two parts are in the same style (very much as in a trio sonata, or a double concerto) is what makes this an especially viable transcriptional option. Note the alternative version in d; this one in c is a little bit more difficult. Film buffs take note that the slow movement of this sonata is featured prominently in the opening section of the 1991 movie “Truly, Madly, Deeply.”

    Recorder & Keyboard part, 2+1 pp.
    $0.50
  • Excerpt from Symphony No. 3 3rd Mvmt. arr. for bass recorder and keyboard

    Recorder & Keyboard part, 2+1 pp.
    $0.50
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