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  • 3rd mvmt.

    Originally in c minor, transposed here to g. Revised Dec. 12, 2016.

    Recorder part, 2 pp.
    $0.50
  • Recorder parts for all 3 mvmts.

    Originally in d minor, transposed here to g. The Concerto for 2 Harpsichords BWV 1062 was also used as a source. The recorder part has a high A and a few F#’s, all optional. The main theme of the 2nd movement contains grace notes in its 2nd measure which are featured only in BWV 1062, and which may be omitted, and then of course this must be done on a consistent basis throughout the movement. See also a version for two recorders and keyboard, under ?Pieces with Other Instrumentations.?

    2+2+2 pp.
    $0.50
  • Bach Suite, BWV 997

    Recorder & Keyboard part, 19+7 pp.
    $1.00
  • Bach Suite No. 2, BWV 1008, Prelude and Gigue

    Recorder part, 2+1 pp.
    $0.50
  • Recorder parts for all 4 Mvmts.

    Originally in e minor, transposed here to g.

    Recorder part, 1+1+1+1 pp.
    $1.00
  • Fugue No. 4

    Originally in c# minor, transposed here to a. NB: The five pages of the keyboard part are arranged so that the page-turns should be between 1 & 2, and then 3 & 4.

    Recorder part, 1 pp.
    $0.50
  • Bach Sonata BWV 1029, transposed to c minor

    20+5 pp.
    $1.00
  • BourrĂ©e I & II from Suite No. 1, BWV 806, with choice of transpositions

    Originally in A major, transposed here to your choice of G or C.

    Recorder & Keyboard part, 2+1 pp.
    $2.00
  • 1st Mvmt., Allegro

    Originally in G major, transposed here to F.

    2 pp.
    $0.50
  • In G

    Originally in A major, transposed here to your choice of G or C.

    1 pp.
    $0.50
  • Aria “Ich halte meinen Jesum feste” from Cantata  157

    Recorder & Keyboard part, 6+2 pp.
    $0.50
  • For Tenor or Soprano Recorder

    1 pp.
    $0.50
  • Version based primarily on Bach’s arrangement for lute

    Originally in c minor, transposed here to d. Two versions, one based primarily on Bach’s arrangement for lute, and the other based only on the original cello suite. In the latter, the keyboard part has a newly composed bass line. Slurs taken from the earliest cello suite source are added, but due to the lack of clarity in that most important manuscript, they should not be taken overly seriously. Note that we have a version for recorder alone (in the “Pieces for Solo Recorder, No Keyboard Part Planned,” section), featuring grace notes to simulate multiple stops, that is based solely on the cello suite.

    Recorder & Keyboard part, 3+1 pp.
    $0.50
  • Sonata (Duet) TWV 40:126

    Recorder & Keyboard part, 11+3 pp.
    $0.50
  • 8 Duets For Soprano & Alto Recorders

    5 pp.
    $0.50
  • Sonata da Chiesa K. 278

    Recorder & Keyboard part, 5+2 pp.
    $0.50
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